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Rural Hours

by: Susan Fenimore Cooper

Year Published: 1887
Table of Contents

Title Page
Preface
Spring
· March
· April
· May
Summer
· June
· July
· August
Autumn
· September
· October
· November
Winter
· December
· January
· February
Chapter 3 - Autumn
October
Monday, October 2d.–Soft, half-cloudy day; something of spring in the atmosphere. The woods also are spring-like in their appearance to-day: many trees are just on the verge of turning, colored in light, delicate greens of every tint; the effect is very beautiful, and strangely like May. But here and there, amid these pleasing varieties of verdure, we find a brilliant flash of scarlet or crimson, reminding us that we are near the close of the year, under the influence of bright autumn, and not of gentle spring.

Drive and walk. Sat upon the cliffs enjoying the view. The day was perfectly still, the lake calm and placid, the reflection of its banks more than usually lovely in its clearness, and accuracy; the changing woods, each brilliant tree, the hills, farms, and buildings were all repeated with wonderful fidelity, and all the sweetness of the natural landscape.

Gathered quite a pretty bunch of flowers; asters, everlastings, golden-rods, bird-bell, innocence, pink and yellow fumitory, and a bunch of white blackberry flowers, blooming out of season. Found some of the fruit, also, quite eatable still; a rose-berry also, here and there. Some of the leaves of these bushes, the rose-raspberry, are very large, among the largest leaves we have; measured one this morning of unusual size, twelve inches and a half in breadth. The bush grew in a moist, shady spot.

Many butterflies sailing over the fields. The yellow butterflies are the earliest to come, and the last to leave us; they seem more social in their habits than most of their kind, for you generally see them in parties, often in the meadows, often on the highways. Not long since we saw a troop of these little creatures, a dozen or more, fluttering over a muddy spot in the road, as they often do,–whether to drink or not, I do not know; there was a cottage and a blacksmith shop close at hand, and a pretty white kitten had strayed out to sun herself. As we came to the spot puss was in the midst of the butterflies at quiet, gentle play with them; they did not seem to mind her good-natured taps at all, avoiding them by flitting about, but without any signs of alarm, till hovering over the same spot; we watched them a moment, and then, fearing that puss might wound some of her little play-fellows, we took her up and set her on the fence.

Heard a cat-bird and jays in the woods. Heard a gun also, boding mischief to partridges or pigeons.

Sat down to look at the water, and a bit of pebbly shore, many feet below. Counted the flowers of a tall mullein spike, which measured thirty-three inches in length; it bore five hundred and seventy flowers, or rather seed-vessels, for it was out of blossom; each of these seed-vessels was filled with tiny dark seed, probably by the hundred, for I had not the time or patience to count these. No wonder that mulleins are common; they must yield fruit ten thousand-fold! The birds do not seem to like their seed; they are not seen feeding on the mullein stalks, as we see them on the thistles every day.

Tuesday, 3d.–Pleasant. The varied greens of yesterday are already gone; light delicate yellows prevail to-day, and the groves remind us of what we read of the golden gardens of the Incas, in the vale of Cuzco. Scarlet and crimson are increasing also; it seems singular, but the sumachs, which a few days since were a dark reddish purple, are now taking a bright scarlet, a much lighter tint, while the usual progress with the coloring of the foliage is from light to dark. The Virginia creeper is vivid cherry color, as usual, and its leaves are already dropping; they are always the first to fall. The birches are yellow, more so than usual; the elms also; the lime-trees deep orange. The aspens are green still, as well as the Lombardy poplars and the willows.

Wednesday, 4th.–Sky soft, but cloudy. How rapid are the changes in the foliage at this season! One can almost see the colors growing brighter. The yellows are more decided, the scarlet and crimson spreading farther, with a pink flush rising on many trees where yellow prevails, especially among the maples. Still there is a clear vein of green perceptible; not the verdure of the pine and hemlock, but the lighter greens of the aspens and beeches, with some oaks and chestnuts not yet touched. Indeed, the woods are very beautiful to-day; the general effect is charming, while here and there we note a scarlet maple, a golden birch, so brilliantly vivid that we are really amazed at the richness and beauty of their coloring.

The children are out nutting; it is the chestnuts which are the chief attraction with them–they are very common here. A merry group of boys and girls were chatting away in the "Chestnut Grove" this afternoon, as we passed. Black walnuts are not so frequent, and the butternuts in this immediate neighborhood are rare; in some parts of the county they abound. Beech-nuts are plenty. Hazel-nuts are rare, and our hickory-nuts are not as good as "Kiskytoms" should be. Still, all things with kernels are "nuts" to boys, and the young rogues make furious attacks upon all the chestnut, walnut, and hickory trees in the neighborhood; they have already stripped the walnut-trees about the village of all their leaves; these are disposed to fall early, but the boys beat the branches so unmercifully that they become quite bare as soon as the fruit is ripe.

Thursday, 5th.–The woods are very fine, under the cloudy sky, to-day. Scarlet, crimson, pink, and dark red increasing rapidly–gaining upon the yellows. So much the better; seasons where yellow prevails are far from being our finest autumns. The more crimson and scarlet we have to blend with the orange and straw colors, the gayer we are. Still, this seems rather a yellow year; for the elms and hickories–which often wither and turn brown, without much beauty–are very handsome just now, in clear shades of yellow, fluttering in the breeze like gold-leaf; while the chestnuts, birches, wych-hazel, and many maples, as usual, wear the same colors. Although there are certain general rules regarding the coloring of the trees, still they vary with different seasons; some which were red last year may be yellow this autumn, and others which were dull russet may be bright gold color. The other day we found a wood-path strewed, at one spot, with pink aspen-leaves; but the general color of this tree is a decided yellow, nor do I ever remember to have seen its foliage pink before this instance; still there was no mistake about the matter, the leaves belonged to the large aspen, and they were clearly pink. They looked, however, as if they had first turned yellow, and then a coat of rich warm lake had been laid on afterward. Maples frequently go through the same process.

Some of the oaks are turning deep red, others scarlet. The ashes are already dark purple. But while most of the foliage is gaining in brilliancy, bare limbs are already seen here and there; the Virginia creepers are all but leafless, so are the black walnuts; and the balm of Gilead poplar is losing its large leaves. Such is Autumn: prodigal in her magnificence, scattering largesse with a liberal hand, she is yet careless and regardless of finish in the lesser details; she flings cloth of gold over the old chestnut, and Tyrian purple upon the oak; while the neighboring grape-vine hangs a dull and blighted garland of russet upon the forgotten aspen, still green. Spring has a dainty hand, a delicate pencil; no single tree, shrub, plant, or weed, is left untouched by her; but Autumn delights rather in the breadth and grandeur of her labors, she is careless of details. Spring works lovingly–Autumn, proudly, magnificently.

The woods are brilliant in the sunshine. There is still a vein of green, however, running through the forest, independently of the pines and firs.

In our stroll this evening we saw several flocks of birds, waterfowl and other smaller birds, moving steadily to the southward. These flocks give much interest to the autumn sky; they are often seen now, but are not common at other seasons–unless, indeed, it be in picture-books, where every landscape is provided with a nondescript flock of its own, quite as a matter of course. Through the spring and summer, the birds live with us, in our own atmosphere, among our own groves and plants, every-day companions; but at this season they soar above us, and we look up at the little creatures with a sort of respect, as we behold the wonderful powers with which they are endowed, sailing in the heavens, over hill and dale, flood and town, toward lands which we may never hope to see.

Saturday, 7th.–Charming weather. The woods on the hills are glorious in the sunshine, the golden light playing about their leafy crests, as though it took pleasure in kindling such rich coloring. The red of the oaks grows deeper, the chestnuts are of a brighter gold color. Still a touch of green in the woods; the foliage of the beech struggles a long time to preserve its verdure, the brownish yellow creeps over it very slowly; most trees turn more rapidly, as though they took pleasure in the change.

Butterflies fluttering about in the sunshine; dragon-flies also, "la demoiselle dorée," as the French call them–strange, that what is a young lady in France should become a dragon across the Channel! Many grasshoppers by the roadsides. Small gnat-like flies abound, in flocks

                    "borne aloft,
Or sinking, as the light wind lives or dies."

Beautiful moonlight this evening, with a decided frosty feeling in the air. The moon was determined to show us what she could do toward lighting up the autumn foliage at night; the effect was singular, as seen in the trees about the lawn. A dreamy fugitive coloring of scarlet and yellow seemed to be thrown over the sumachs and maples, near the house; and even upon the hills, in spots where the light fell with all its power, the difference between the colored belts of yellow or scarlet, and the darker evergreens, was quite perceptible.

Tuesday, 10th.–Mild. Showery morning, bright afternoon. Pleasant walk on the lake-road. The pines are clear green again, having cast their rusty leaves. A few cones also are dropping, but many hang on the trees through the winter.

A few years since, those who followed this road, along the lake shore, frequently met an old man, coming and going in this direction, whose venerable appearance would probably have attracted a stranger's attention. His head was white with the honors of four-score and upward, yet his tall, slender figure was erect and active, showing few marks of age; and his face was remarkable for a kindly, benevolent expression, a bright, healthy eye, and ruddy complexion. This old man led a singular life, partaking of the retirement and simplicity of that of a hermit, with the active benevolence of a different class of men. With children living in the village, and calling the house of a daughter his home, he loved the quiet solitude of the fields; and, unwilling to be idle, so long as he had strength to work, the good old man applied to the owner of the land in this direction for a spot to till; his request was complied with, and he chose a little patch within a short walk of the village. Early in the morning, before sunrise, he would go out into the woods, frequently remaining out the whole day, only bending his steps homeward toward evening. Often he might be seen at work with his spade or his hoe, about the little field which he was the first man to till; he made a fence of the decayed logs lying about, collected the rubbish and brushwood and burned it, then ploughed, and planted maize and potatoes. Often, when missed from his field, he has been found sitting among the bushes reading his Bible or his hymn-book, or kneeling in prayer. On the hillside, at no great distance from his little clearing, there is a shallow cave, well known in the neighborhood, and many a summer morning, before the village bell has rung for sunrise, the good old man has been kneeling there, in earnest prayer for the people of the sleeping town at his feet. Much of his time was passed in prayer, in reading the Holy Scriptures, and singing pious hymns, with his pleasant old voice. He always had a smiling, friendly greeting for his acquaintances, and expressed a very warm interest in the children and grandchildren of those he had known in earlier days; he never met a young person of his acquaintance without some solemn words of good advice, and a blessing, given with earnest sincerity. Occasionally he would visit his different friends in the village, and although his object was generally of a charitable or religious nature, yet he loved to talk of past times with those whose memories went back to the first years of the little colony. He had been a miller by trade, and came into the county at an early day, and of course knew much of the history of this rural community. But he had also other recollections of a more ambitious nature; for he had begun life as a soldier, during the troubles of the Revolution, having belonged to the "Jersey line;" and it was with some latent pride that he would relate how he had, more than once, stood sentinel before the tent of General Washington, and seen "His Excellency" go in and out. His recollection of the battle of Long Island, and the celebrated retreat across the East River, was particularly good; his old cheek would flush, and his mild eye grow brighter, as he told the incidents of that day and night; while the listener must needs smile to see the young soldier thus getting the better of the peaceful old solitary. His activity was unusual for such advanced years: a great walker, he never used horse or wagon if he could help it; and at the age of eighty-two he walked forty miles in one day, to visit a friend in the next county. He ate only the simplest food, and never drank anything but water, or a bowl of milk now and then; and this temperance, added to regular exercise and light labor in the fields, with a mind at peace, were no doubt the cause of the good health and activity he enjoyed so late in life. This excellent man was a striking example of what the Holy Scriptures alone may do for the honest, simple heart, who endeavors faithfully to carry out the two great commandments–loving our Maker with all the heart, and doing unto others as we would have others do to us. Full of simple piety and benevolence, temperate, frugal, and industrious, single-minded, and upright in word and deed, his conduct in all these respects was such as to command the respect and veneration of those who knew him. It was like a blessing to meet so good a man in one's daily walks. Such an instance of honorable integrity and simple piety was a strong encouragement to perseverance in duty, among the many examples of a very opposite character–examples of weakness, folly, and sin, which hourly crossed one's path.

Not long since, during the cold weather in winter, the village heard with regret that their venerable old neighbor had fallen on the ice, and broken a leg; from that time he has been compelled to give up his field labors, having become quite infirm. Bowed down with age and debility, his mind often wanders; but on the subject nearest his heart, he is still himself. He may be seen occasionally, of a pleasant day, sitting alone in the lane near his daughter's door, scarcely heeding what passes before him; his eyes closed, his hands clasped, and his lips moving in prayer. If one stops to offer him a respectful greeting, he shakes his head, acknowledging that memory fails him, but he still bestows a blessing with his feeble voice and dim eye: "God bless you, my friend, whoever you be!"

The little patch of ground enclosed by logs, just within the edge of the wood, and the frequent turning-point in our walks, was the good man's clearing. It now lies waste and deserted. A solitary sweet-briar has sprung up lately by the roadside, before the rude fence. This delightful shrub is well known to be a stranger in the forest, never appearing until the soil has been broken by the plough; and it seems to have sprung up just here expressly to mark the good man's tillage. Tall mullein-stalks, thistles, and weeds fill the place where the old husbandman gathered his little crop of maize and potatoes; every season the traces of tillage become more and more faint in the little field; a portion of the log fence has fallen, and this summer the fern has gained rapidly upon the mulleins and thistles. The silent spirit of the woods seems creeping over the spot again.

Wednesday, 11th.–Autumn would appear to have received generally a dull character from the poets of the Old World; probably if one could gather all the passages relating to the season, scattered among the pages of these writers, a very large proportion would be found of a grave nature. English verse is full of sad images applied to the season, and often more particularly to the foliage.

"The chilling autumn, angry winter,"
are linked together by Shakspeare.
"The sallow autumn fills thy lap with leaves,"
writes Collins.
"O pensive Autumn, how I grieve
  Thy sorrowing face to see,
When languid suns are taking leave
  Of every drooping tree!"
says Shenstone.
"Ye trees that fade when autumn heats remove,"
says Pope.
"Autumn, melancholy wight!"
exclaims Wordsworth. And hundreds of similar lines might be given; for very many of the English poets seem to have felt a November chill at their fingers' ends when alluding to the subject.

The writers of France tell much the same tale of autumn, across the Channel.

"Plus pâle, que la pâle automne,"
says Millevoye in his touching lament.
            "la pâle Automne
D'une main languissante, effeuillant sa couronne."
writes Delille; and again,
          "Dirai-je à quels désastres,
De l'Automne orageux nous exposent les astres?"
And again,
      "Voyez comment l'Automne nébuleux
Tous les ans, pour gémir, nous amène en ces lieux."
St. Lambert tells us of fogs and mists, in his sing-song verses, his "ormeaux, et rameaux, et hameaux."
"Ces voiles suspendus qui cachent à la terre
Le ciel qui la couronne, et l'astre qui l'éclaire
Préparent les mortels au retour des frimas.
Mais la feuille en tombant, du pampre dépouillé
Découvre le raisin, de rubis émaillé."
Observe that he was the especial poet of the seasons, and bound to fidelity in their behalf; and yet, painting autumn during the vintage, he already covers the sky with clouds, and talks of "frimas."
"Salut, bois couronnés d'un reste de verdure
Feuillage, jaunissant sur les gazons épars,"
writes M. de Lamartine, in his beautiful but plaintive verses to the seasons.

In Germany we shall find much the same tone prevailing.

"In des Herbstes welkem Kranze,"
says Schiller; and again,
"Wenn der Frühlings Kinder sterben,
Wenn vom Norde's kaltem Hauch
Blatt und Blume sich entfärben"–

As for the noble poets of Italy, summer makes up half their year; the character of autumn is less decided; she is scarcely remembered until the last days of her reign, and then she would hardly be included among "i mesi gai."

In short, while gay imagery has been lavished upon spring and summer, autumn has more frequently received a sort of feuille morte drapery, by way of contrast. Among the older poets, by which are meant all who wrote previously to the last hundred years, these grave touches, in connection with autumn, are particularly common; and instances of an opposite character are comparatively seldom met with.

There are exceptions, however. Such glowing poets as Spenser and Thomson threw a warmer tint into their pictures of the season. But, strange to say, while paying her this compliment, they became untrue to nature–they robbed summer to deck autumn in her spoils. They both–British poets, as they were–put off the grain-harvest until September, when in truth the wheat-sheaf belongs especially to August, in England; that month is given up to its labors, and it is only the very last sheaves which are gathered in September. Yet hear what Spenser says:

"Then came the Automne, all in yellow clad,
As though she joyed in her plenteous store,
Laden with fruit that made her laugh full glad;
Upon her head a wreath, while was enrolde
With eares of corne of every sort, she bore,
And in her hand a sickle she did holde,
To reap the ripened fruits the earth did yolde."

The ears of corn, and the sickle, were certainly the rightful property of Summer, who had already been spending weeks in the harvest-field.

Thomson first introduces the season in very much the same livery as Spenser, as we may all remember:–

"Crown'd with the sickle, and the wheaten sheaf,
While Autumn, nodding o'er the yellow plain,
Comes jovial on; . . . . .
. . . . broad and brown, below,
Extensive harvests hang the heavy head."

In classic days Spring was seen crowned with flowers; Summer with grain; Autumn with fruits; and Winter with reeds. All the four seasons, the Anni of Roman mythology, took a masculine form. Traces of this may be found in the gender given to the different seasons, grammatically speaking, in the principal modern tongues of Europe, for they are chiefly masculine. In Italian, spring, la primavera, is feminine; l'estate, l'autumno, l'inverno, are masculine; in verse il verno is occasionally used for the winter, and the gender of summer is sometimes changed to a feminine substantive, la state. In German, der Frühling, der Sommer, der Winter, der Herbst, are all masculine, and so is the more poetical word, der Lenz, for spring; but the Germans, as we all know, have peculiar notions on the subject of gender, for they have made the sun feminine, and the moon masculine. The Spaniards have adopted the same words as the Italians, with the same genders–la primavera, el verano, or el estio, el otoño, el invierno, spring alone being feminine. In French we have them all masculine, strictly speaking, le printemps, l'été, l'automne, l'hiver; but by one of the very few licenses permitted in French grammar, autumn occasionally becomes feminine, in a sense half poetical, half euphonical. Strictly speaking we are taught that, with an adjective preceding it, autumn, in French, is always masculine.

"On quand sur les côteaux le vigoureux Automne
Etalait ses raisins dont Bacchus se couronne;"
while with the adjective coming after, it is feminine; "une automne délicieuse," says Madame de Sévigné. But this rule is often neglected in verse, by the same writers who are quoted as authority for it, as we have seen in "la pâle automne" of Delille; the feeling and tact of the individual seem to decide the question; and this is one of the very few instances in which such liberty is allowed to the French poet. As might be supposed, the variation becomes a grace; and probably if something more of the same freedom were generally diffused through the language, the poetry of France would have more of that life and spirit which is now chiefly confined to her greater writers in verse. In that case, we should have had more than one Lafontaine to delight us.

In English, thanks to our neuter gender, poets are allowed to do as they choose in this matter; and in many cases they have chosen to represent all three of the earlier seasons in a feminine form–not only spring and summer, but autumn also–as we have just seen in the case of Spenser. Thomson, however, has made Summer a youth, a sort of Apollo:–

"Child of the Sun, refulgent summer comes
. . . . . . . . .
He comes attended by the sultry hours,
And ever fanning breezes on his way."

And his autumn also, "crowned with the sickle and the wheaten sheaf," scarcely looks like a female.

In climates still warmer than those of Greece and Rome, the ears of grain might correctly have been woven into the wreath of May. Ruth must have gleaned the fields of Boaz during the month of May, or some time between the Passover and Pentecost–festivals represented by our Easter and Whitsunday–for that was the harvest-time of Judea.

Many of the poets of our mother-speech have, however, followed the examples of Spenser and Thomson, in representing autumn as the season of the grain-harvest in England. Among others, Keats, who also gives a glowing picture of the season in those verses, full of poetical images, beginning–

"Season of mists, and mellow fruitfulness!
Close bosom friend of the maturing sun."
He then asks, "Who has not often seen thee
" . . sitting careless on a granary floor,
  Thy hair soft-lifted by the winnowing wind;
Or on a half-reaped furrow lain asleep,
  Drown'd with the fume of poppies; while thy hook
  Spares the next swathe, and all its twined flowers!"

But while such poets as Spenser and Thomson give a warmer picture of the season than many of their contemporaries, on another point, at which we are looking just now, they do not differ from others–neither of them sees any beauty in the foliage of the season. It is true, Thomson speaks, in one line, of

"Autumn beaming o'er the yellow woods,"
but this seems an accidental epithet, for it does not occur in the descriptive part of the season. When he is expressly engaged in painting autumn for us, he tells us of the "tawny copse." Another passage of his commences in a way which at first leads one to expect some praise of the autumn foliage, for he speaks of the "many-colored woods." To an American, this immediately suggests the idea of scarlet and golden tints; but he proceeds in a very different tone–his "many-colored woods" are all sad:–
"Shade deep'ning over shade, the country round
Imbrown; a clouded umbrage, dusk and dun,
Of ev'ry hue, from wan declining green
To sooty dark."
Sober enough, in good sooth. And then he strips the trees amid gloomy fogs and mists:–
"And o'er the sky the leafy deluge streams;
Till chok'd and matted with the dreary shower,
The forest walks at ev'ry rising gale
Roll wide the wither'd waste."

It would require a general and accurate knowledge of English verse, and a very correct memory, to say positively that no allusion to the beauty of the autumnal woods may be found in the older poets of England; but certainly, if such are to be met with, they do not lie within the range of every-day reading. Are there any such in Milton, skilful as he was in picturing the groves and bowers of Eden?

"Thick as autumnal leaves that strew the brooks
In Vallambrosa,"
will occur to the memory; but we have no coloring here. Is there a single line of this nature in Shakespeare, among the innumerable comparisons in which his fancy luxuriated? Shall we find one in the glowing pages of Spenser? In Dryden? In Chaucer, so minute in description, and delighting so heartily in nature–from the humble daisy to the great oaks, with "their leavès newe?" One is almost confident that in these, and every other instance, the answer will prove a negative.

Much the boldest touch of the kind, remembered at present, in European verse, is found in a great French rural writer, Delille; speaking of the woods in autumn, he says:–

"Le pourpre, l'orangé, l'opale, l'incarnat,
De leurs riches couleurs étalent l'abondance."
But these lines stand almost alone, differing entirely from other descriptions of the season by himself and many of his countrymen, with whom it has very generally been "la pâle automne." Probably in these lines Delille had some particular season in view. European autumn is not always dull; she has her bright days, and at times a degree of beauty in her foliage. From the more northern countries, as far south of Italy, one may occasionally see something of this kind, reminding one of the season in America. More than a hundred years earlier, Addison alluded briefly, in his travels, to the beauty of the autumnal woods in southern Germany, where, indeed, the foliage is said to be finer than in any other part of Europe; but nowhere, I believe, has he given the colored leaves a place in verse. Delille, it must be remembered was a more modern poet, writing at the close of the last and the commencement of the present century; and just about that time allusions of this kind were finding their way into the literature of Europe.

A very decided change in this respect has indeed taken place within the last fifty or sixty years. English writers, particularly, seem suddenly to have discovered Autumn under a new character; two very different pictures are now given of her; one is still "Autumn, melancholy wight!" while the other bears a much gayer expression. Just now allusions to beautiful "autumnal tints" have become very much the fashion in English books of all sorts; and one might think the leaves had been dyed, for the first time, to please the present generation. In reality, there can hardly have been any change in this respect since the days of Chaucer; whence, then, comes this altered tone?

Some foundation for the change may doubtless be found in the fact that all descriptive writing, on natural objects, is now much less vague and general than it was formerly; it has become very much more definite and accurate within the last half century. Some persons have attributed this change, so far as it regards England, to the taste for landscape painting, which has been so generally cultivated in that country during the same period. Probably this has had its effect. The partiality for a more natural style in gardening may also have done something toward bringing the public mind round to a natural taste on all rural subjects. It is seldom, however, that a great change in public taste or opinion is produced by a single direct cause only; there are generally many lesser collateral causes working together, aiding and strengthening each other meanwhile, ere decided results are produced. This is perceptible in small matters, as well as in matters of importance. Something more than a mere partiality for landscape painting has been at work; people had grown tired of mere vapid, conventional repetitions, they felt the want of something more positive, more real; the head called for more of truth, the heart for more of life. And so, writers began to look out of the window more frequently; when writing a pastoral they turned away from the little porcelain shepherds and shepherdesses, standing in high-heeled shoes and powdered wigs upon every mantel-piece, and they fixed their eyes upon the real living Roger and Dolly in the hay-field. Then they came to see that it would do just as well, nay, far better, to seat Roger and Dolly under a hawthorn, or an oak of merry England, than to paint them beneath a laurel, or an ilex of Greece or Rome; in short, they learned at length to look at nature by the light of the sun, and not by the glimmerings of the poet's lamp. And a great step this was, not only in art, but in moral and intellectual progress. One of the first among the later English poets, who led the way back into the track of truth, was the simple, kindly, upright Cowper; and assuredly it was a task worthy of a Christian poet–that of endeavoring to paint the works of the Creation in their native dignity, rather than tricked out in conventional devices of man.

Still, all this might have taken place without producing that especial attention to autumn, perceptible in later English writers; that very frequent mention of its softer days and varied foliage, which marks a change of feeling from the "chilling autumn" of Shakspeare, and the foliage "dusk and dun" of Thomson. One is led to believe that the American autumn has helped to set the fashion for the sister season of the Old World; that the attention which the season commands in this country, has opened the eyes of Europeans to any similar graces of the same months in their own climates; the gloom is less heeded by them, while every pleasing touch is noted with gratification. In the same way, we now see frequent allusions to the "Indian summer" by Englishmen, in their own island, where this last sweet smile of the declining year was entirely unheeded until its very marked character in this country had attracted admiration. Our native writers, as soon as we had writers of our own, pointed out very early both the sweetness of the Indian summer, and the magnificence of the autumnal changes. In fact, they must have been dull and blind not to have marked both these features of the season, as we usually enjoy them. And here, indeed, we find the precise extent of the difference between the relative beauty of autumn in Europe and in America; with us it is quite impossible to overlook these peculiar charms of the autumnal months; while in Europe, though not wholly wanting, they remained unnoticed, unobserved, for ages. Had the same soft atmosphere of the "Indian summer" warmed the woods of Windsor, year after year, while Geoffrey Chaucer roamed among their glades, the English would have had a word or phrase to express the charm of such days, before they borrowed one from another continent. Had the maples, and oaks, and ashes, on the banks of the Avon, colored the waters of that stream, year after year, with their own scarlet, and crimson, and purple, while Will Shakspeare, the bailiff's son, was shooting his arrows on its banks, we should have found many a rich and exquisite image connected with autumnal hours hovering about the footsteps of Lear and Hamlet, Miranda and Imogen, and Rosalind. Had the woods of England been as rich as our own, their branches would have been interwoven among the masques of Ben Jonson and Milton; they would have had a place in more than one of Spenser's beautiful pictures. All these are wanting now. Perhaps the void may be in a measure filled up for us by great poets of our own; but even then one charm will fail–the mellow light of eld, which illumines the page of the old poet, will be missed; for that, like the rich flavor of old wine, is the gift of Time alone.

In the meanwhile, however, the march of Autumn through the land is not a silent one–it is already accompanied by song. Scarce a poet of any fame among us who has not at least some graceful verse some glowing image connected with the season; and year after year the song must become fuller, and sweeter, and clearer.

In those parts of this continent which answer to the medium climates of Europe, and where Autumn has a decided character of her own, the season is indeed a noble one. Rich in bounty, ripening the blended fruits of two hemispheres, beauty is also her inalienable dower. Clear skies and cheerful breezes are more frequent throughout her course than storms or clouds. Fogs are rare indeed. Mild, balmy airs seem to delight in attending her steps, while the soft haze of the Indian summer is gathered like a choice veil about her brows, throwing a charm of its own over every feature. The grain-harvest has been given to Summer; of all its treasures, she preserves alone the fragrant buckwheat and the golden maize. The nobler fruits are hers–the finer peaches and plums, the choicest apples, pears, and grapes. The homely, but precious root-harvest belongs to her–winter stores for man and his herds. And now, when the year is drawing to a close, when the blessings of the earth have been gathered and stored, when every tree and plant has borne its fruits, when every field has yielded its produce, why should the sun shine brightly now? What has he more to ripen for us at this late day?

At this very period, when the annual labors of the husbandman are drawing to a close, when the first light frosts ripen the wild grapes in the woods, and open the husks of the hickory-nuts, bringing the latest fruits of the year to maturity, these are the days when here and there in the groves you will find a maple-tree whose leaves are touched with the gayest colors; those are the heralds which announce the approach of a brilliant pageant–the moment chosen by Autumn to keep the great harvest-home of America is at hand. In a few days comes another and a sharper frost, and the whole face of the country is changed; we enjoy, with wonder and delight, a natural spectacle, great and beautiful, beyond the reach of any human means.

We behold the green woods becoming one mass of rich and varied coloring. It would seem as though Autumn, in honor of this high holiday, had collected together all the past glories of the year, adding them to her own; she borrows the gay colors that have been lying during the summer months among the flowers, in the fruits, upon the plumage of the bird, on the wings of the butterfly, and working them together in broad and glowing masses, she throws them over the forest to grace her triumph; like some great festival of an Italian city, where the people bring rich tapestries and hang them in their streets; where they unlock chests of heirlooms, and bring to light brilliant draperies, which they suspend from their windows and balconies, to gleam in the sunshine.

The hanging woods of a mountainous country are especially beautiful at this season; the trees throwing out their branches, one above another, in bright variety of coloring and outline, every individual of the gay throng having a fancy of his own to humor. The oak loves a deep, rich red, or a warm scarlet, though some of his family are partial to yellow. The chestnuts are all of one shadeless mass of gold-color, from the highest to the lowest branch. The bass-wood, or linden, is orange. The aspen, with its silvery stem and branches, flutters in a lighter shade, like the wrought gold of the jeweller. The sumach, with its long, pinnated leaf, is of a brilliant scarlet. The pepperidge is almost purple, and some of the ashes approach the same shade during certain seasons. Other ashes, with the birches and beech, hickory and elms, have their own tints of yellow. That beautiful and common vine, the Virginia creeper, is a vivid cherry-color. The sweet-gum is vermilion. The Viburnum tribe and dog-woods are dyed in lake. As for the maples, they always rank first among the show; there is no other tree which contributes singly so much to the beauty of the season, for it unites more of brilliancy with more of variety than any of its companions; with us it is also more common than any other tree. Here you have a soft maple, vivid scarlet from the highest to the lowest leaf; there is another, a sugar maple, a pure sheet of gold; this is dark crimson like the oak, that is vermilion; another is parti-colored, pink and yellow, green and red; yonder is one of a deep purplish hue; this is still green, that is mottled in patches, another is shaded; still another blends all these colors on its own branches, in capricious confusion, the different limbs, the separate twigs, the single leaves, varying from each other in distinct colors and shaded tints. And in every direction a repetition of this magnificent picture meets the eye: in the woods that skirt the dimpled meadows, in the thickets and copses of the fields, in the bushes which fringe the brook, in the trees which line the streets and roadsides, in those of the lawns and gardens–brilliant and vivid in the nearest groves, gradually lessening in tone upon the farther woods and successive knolls, until, in the distant background, the hills are colored by a mingled confusion of tints, which defy the eye to seize them.

Among this brilliant display, there are usually some few trees which fade, and wither, and dry into a homely brown, without appearing to feel the general influence; the sycamores, the locusts, for instance, and often the elms also, have little beauty to attract the eye, seldom aiming at more than a tolerable yellow, though at times they may be brighter.

Imported trees, transplanted originally from the Old World, preserve, as a rule, the more sober habits of their ancestral woods; the Lombardy poplar and the weeping willow are only pale yellow; the apple and pear trees, and some of the garden shrubs, lilacs and syringas, and snow-balls, generally wither, without brilliancy, though once in a while they have a fancy for something rather gayer than pale yellow or russet, and are just touched with red or purple.

Other trees, again, from some accident of position or other cause, will remain a clear green, weeks after their companions of that same species are in full color.

But amid the general gayety, the few exceptions are scarcely observed, unless they are pointed out, and the beautiful effect of the great picture remains unbroken.

One observes also, that the spirit of the scene is carried out in many lesser details, for which we are scarcely prepared. Walking through the woods and fields, you find many of the smaller shrubs very prettily colored, little annuals also, and the seedlings of the forest-trees. The tiny maples especially, not longer than your finger, with half a dozen little leaflets, are often as delicately colored as blossoms, pink, and red, and yellow. Some of the flowering plants, also, the sarsaparillas and May-stars, with their finely-cut leaves, are frequently of a soft, clear straw-color.

Some persons occasionally complain that this period of the year, this brilliant change in the foliage, causes melancholy feelings, arousing sad and sorrowful ideas, like the flush on the hectic cheek. But surely its more natural meaning is of a very different import.

Mark the broad land glowing in a soft haze, every tree and grove wearing its gorgeous autumnal drapery; observe the vivid freshness of the evergreen verdure; note amid the gold and crimson woods, the blue lake, deeper in tint at this season than at any other; see a more quiet vein of shading in the paler lawns and pastures, and the dark-brown earth of the freshly plowed fields; raise your eyes to the cloudless sky above, filled with soft and pearly tints, and then say, what has gloom to do with such a picture? Tell us, rather, where else on earth shall the human eye behold coloring so magnificent and so varied, spread over a field so vast, within one noble view? In very truth, the glory of these last waning days of the season, proclaims a grandeur of beneficence which should rather make our poor hearts swell with gratitude at each return of the beautiful autumn accorded to us.

Friday, 13th.–Delightful day. Long walk in the woods. Found a few asters and golden-rods, silver-rods, and everlastings, scattered about. The flowers are becoming rare, and chary of their presence; still, so long as the green grass grows, they lie scattered about, one here, another there, it may be in the shady woods, or it may be in the flower-border; reminding one of those precious things which sweeten the field of life–kindly feelings, holy thoughts, and just deeds–which may still be gleaned by those who earnestly seek them, even in the latest days of the great pilgrimage.

The woods are very beautiful; on Mount Vision the ground work of the forest was colored red by the many little whortleberry bushes growing there–they are brighter than usual. Here and there we found fresh berries on them, and a white flower among their red leaves. Some of the wych-hazels have lost their foliage entirely, the yellow blossoms hanging on leafless branches.

A number of the trees, in low situations and along the shores of the lake, are quite green still. The alders are all unchanged. So are the apple-trees, lilacs, syringas, the willows, and aspens. The poplars are beginning to turn yellowish on their lower branches, their tops are still clear green.

Saturday, 14th.–Pleasant day. Walked some distance along the bank of the river. Gathered handsome berries of the cranberry-tree. Found many vines along the bank in that direction; bitter-sweet, with its red berries; hairy honeysuckle; green-briars, with their dark-blue berries, besides many Virginia creepers and grape-vines. Observed several soft maples of a clear gold-color throughout, while others near them were bright crimson; they are not so often variegated as the sugar maple. Saw a handsome thorn-tree vivid red. The large leaves of the moose-wood are yellow. The mountain maple is pinkish red. Plums and wild cherries reddish. A handsome dog-wood, of the alternate-leaved variety, deep lake; it was quite a tree. The Viburnums are generally well colored at this season; the large leaves of the hobble-bush especially are quite showy now. This is the American "wayfaring tree," but on several accounts it scarcely deserves the name; though pretty in its way, it is only a shrub, and instead of giving pleasure to the wanderer, it is frequently an obstacle in his path, for the long branches will sometimes root themselves anew from the ends, thus making a tangled thicket about them; this habit, indeed, has given to the shrub the name of "hobble-bush." The blackberry-bushes are a deep brownish red; the wild raspberries purplish red. Altogether, the shrubs and bushes strike us as more vividly colored than usual. Every season has some peculiarity of its own in this way, the trees and bushes varying from year to year, which is an additional source of interest in the autumnal pageant. A particular maple, which for years has turned a deep purple crimson, is now yellow, with a flush of scarlet. Observed several ashes yellow shaded with purple, the two colors being very clearly marked on the same tree.

The birds are quite numerous still; many robins running about the lawn. Gnats and gray flies innumerable are dancing in the sunshine. Saw yellow butterflies. Heard a few field-crickets chirruping cheerfully.

Tuesday, 17th.–In our walk this morning, observed a large stone farm-house, with maples grouped about in most brilliant color; a party of men were husking maize in the foreground; a group of cows grazing, in one direction, and a cart with a pile of noble pumpkins lying in the other. It would have made a good picture of an American autumn scene. The coloring of the trees was just what one could wish for such a purpose, and the contrast with the stone house and gray barns was all that could be desired.

Thursday, 19th.–The falling leaves are still brightly colored, strewing the paths and village sidewalks in many places; one is often tempted to stoop by the brilliancy of some of these fallen leaves, it seems a pity to leave them to wither in their beauty.

The brooks and streams are often gayly strewn with the fallen foliage; the mill-dam at the Red Brook was sprinkled this afternoon with bright leaves, red and yellow, like a gay fleet from fairy-land.

Friday, 20th.–The poplars first became bare below, while their upper branches are in full leaf, unlike most other trees, which lose their foliage from above, downward.

Tuesday, 24th.–Mild rain. The chicadees are gathering about the houses again; these birds are resident with us through the year, but we seldom see them in summer; until the month of June they are often met fluttering about the groves near at hand, but from that time until the autumn is advancing, perhaps you will not see one. We have frequently watched for them in vain during the warm weather, not only near the village, but in the woods also, and we have never yet seen one at midsummer. This morning there was a large flock in the grounds, fluttering about among the half-naked branches. One is pleased to see the merry little creatures again.

The snow-birds are also resident in our hills through the year, but unlike the chicadees, they show themselves at all seasons. You can hardly go into the woods without meeting them; many are seen running in and out about the fences, and they may almost be called village birds with us. At one moment this afternoon there was a meeting in our own trees of two large flocks, chicadees and snow-birds; they were all in fine spirits at the approach of winter, restless and chirping, flitting hither and thither with rapid, eager movements.

Thursday, 26th.–Cloudy, but mild. Long drive by the lake shore. Sky, water, and fields alike gray. Woods getting bare, yet vivid touches of yellow here and there, the orange of the birch, or lighter yellow of the aspen, enlivening the deepening grays. The village still looks leafy from the distance, chiefly from its willows. We passed a group of fine native poplars, very large, and quite green still; what is singular, a very large maple near them was also in full leaf, and partially green, though very many of its brethren are quite bare. These trees stood near the lake shore. The whole bank between the road and the water was still gay, with a fringe of underwood in color. Many asters of the common sorts were growing here, with golden-rods also, and a strawberry blite in crimson flower. The asters, and golden-rods, and nabali, and hawk-worts, along this bank have been innumerable through the season, and now that they are in seed, their downy heads look prettily mingled with the plants still in blossom, and the bushes still in leaf; the weather has been quiet, and the ripening blossoms, undisturbed by the wind, preserve the form of their delicate heads perfectly, some tawny, some gray, some silvery white, powdered flowers, as it were, like the powdered beauties of by-gone fashions. The pyramid golden-rod is really very pleasing in this airy, gossamer state. A large portion of our later flowers seem to ripen their seed in this manner. The gossamer of the willow-herb and that of the silk-wort are perhaps the most beautiful kinds, so purely white, but the down lies concealed within the pods, and as soon as these are opened the seeds escape, flying off on their beautiful silvery plumes. The down of the asters and golden-rods, however, remains a long time on the plants; and so does that of the fire-weed, which is very white.

What ugly things are the shrivelled thistles at this season! They look utterly worthless, more like the refuse of a past year than plants of this summer's growth; and yet there is life in their withered stalks, for here and there a purple blossom is trying to flower among the ragged branches.

A very large flock of wild ducks, flying northward over the lake, alighted on the water within half a mile of us; there must have been a hundred of them, if not more. We seldom see so many together in our waters.

Friday, 27th.–At early dawn this morning, just as the sky was becoming flushed with sunrise colors, we saw a large flock of wild geese flying steadily to the southward. They moved in a regular wedge-shaped phalanx, as usual, with their leader a little in advance. Perhaps they had passed the night in our lake; they are frequently seen here, though rarely shot by our "gunners." They seem often to travel by daylight. The ducks are said to migrate generally at night, especially the Mallard or common wild duck. It was a beautiful sight to see the flock, this morning; it reminded one of Mr. Bryant's noble "Water-fowl," simply, however, because one never sees the wild fowl travelling through the air, spring or autumn, without thinking of those fine verses. In the present case it was morning, and a whole flock were in movement. Mr. Bryant saw his bird in the evening, and it was alone; still the lines would recur to one:

"Whither, 'midst falling dew,
  While glow the heavens with the last steps of day,
Far through their rosy depths, dost thou pursue
  Thy solitary way?"
A flock of migratory birds can never fail, indeed, to be a beautiful and striking sight. The proud ships crossing the vast ocean, with man at the helm, are not a more impressive spectacle than these lesser creatures travelling through
"The desert and illimitable air–
Lone, wandering, but not lost."
Doubtless the flocks which now pass over the valley are as nothing compared with the throngs that went and came when the red man hunted here; still, we never fail to see them, spring and fall. Many are the different varieties which come and go, and various are their habits of travelling. Some fly by day, others at night; some are silent, others utter loud and peculiar cries; these move in a regular phalanx, those in a careless crowd; some have leaders, others need none; these move rapidly, and directly toward their goal, others linger weeks on the way. Some travel in flocks, others in pairs; with these the males fly first, with those all move together; some follow the coast, others take an inland course.

And how much pleasure the birds give and receive by their migrations! This singular instinct implanted in the breast of the fowls of the air is indeed a very touching instance of the tenderness of Providence, who not only bestows what is necessary on His creatures, but adds to the cup of life so many innocent pleasures. Some birds are stationary, and, doubtless, it would have been easy to have ordered that all should be so; but now we find that many of the most beautiful and pleasing of the race pass and repass annually over a broad expanse of the earth, giving and receiving enjoyment as they move onward. Many of those which are the most cheering and delightful spread themselves over half the earth: among these are the delicate wrens and humming-birds, the gay swallows, those noble singers, the thrushes; while the larger and more dangerous birds of prey are few in numbers, and chiefly confined to particular regions. No doubt the change of food, of air, of climate, is a source of enjoyment to the birds; nay, the very effort of the journey itself is probably accompanied with that gratification which is usually connected with the healthful, natural exercise of the higher powers of every living being. And how much delight do they afford mankind! Their first appearance, with the hopeful hours of spring; their voices, their pleasing forms, their cheerful movements, nay, their very departure in autumn, all bring to our hearts some pleasures, and thoughts, and feelings, which we should not know without them. Wanderers though they be, yet the birds of one's native ground are a part of home to us.

Perhaps the birds generally follow the same course, year after year, in their annual journeyings. There are facts which lead one to believe so. It is already proved that the same individuals, of various tribes, will return to the same groves for many successive seasons. It has also been observed that certain birds are seen to the north and south of a particular region every year; but within certain limits they are never met with. Like the house-wren, for instance, which avoids Louisiana, and yet passes farther to the southward every autumn. Other cases of the same kind might be named. A well-authenticated story is also told by Mr. Wilson of a wild goose which had been tamed on Long Island, but the following spring flew away to join a passing flock on its way to the northward. The succeeding autumn, as the farmer was standing in his barn-yard, he observed a flock of wild geese on the wing; one of these left the flock and alighted near him, proving to be his old pet. Now, the party which the goose was joining was probably the same as that with which she returned, and here they were passing directly over the same farm, going and coming.

The flocks that pass over our own little lake note it, perhaps, as the last in the long line of inland waters, the thousand lakes of all sizes passed on their way from the arctic seas. There is no sheet of fresh water of any size to the southward and eastward of our own. Possibly, the celebrated canvas-backs pass us every year on their way to the Chesapeake, for the mouth of our own river is favorite ground with those celebrated birds. Very few of the canvas-backs remain in this State; only a very small number are seen occasionally in the Hudson.

Saturday, 28th.–The woods are fading fast, losing their leaves rapidly. Here and there, however, we yet see a birch or aspen, perhaps on the lake shore, perhaps on the mountain-side, still vividly yellow. Seen thus amid the dull and dreary woods, they look like forgotten torches, burning among the wrecks of past revels.

Monday, 30th.–Mild, gray day; air soft and spring-like. Toward evening walked to the glen, along the Green Brook. Met a solitary robin. The flocks of summer birds have now entirely disappeared; only a few stragglers are seen, shy and solitary, as though they had been forgotten. Perhaps our robin, may be more shy than that of Europe. We hear of the European red-breast being frequently fed upon crumbs about farm-houses in cold weather. Christiana, in the Pilgrim's Progress, thought they lived entirely on such food: "Then, as they were coming in from abroad, they espied a robin with a great spider in his mouth: so the Interpreter said, 'Look here!' So they looked, and Mercy wondered; but Christiana said, 'What a disparagement it is to such a little pretty bird as the robin red-breast is! He being also a bird above many, that loveth to maintain a kind of sociableness with men. I had thought they had lived upon crumbs of bread, or upon other such harmless matter. I like him worse than I did."

We give a pretty anecdote of the English robin found in the "Gleanings" of Mr. Jesse; it occurred in England, and is vouched for by Mr. Jesse himself. A gentleman had directed a wagon to be packed with hampers and boxes, intending to send it some distance; its departure was delayed, however, and it was placed under a shed, packed as it was. While there, says Mr. Jesse, "a pair of robins built their nest among some straw in the wagon, and had hatched their young just before it was sent away. One of the old birds, instead of being frightened away by the motion of the wagon, only left its nest from time to time, for the purpose of flying to the nearest hedge for food, for its young; and thus alternately affording warmth and nourishment to them, it arrived at Worthing. The affection of this bird having been observed by the wagoner, he took care, in unloading, not to disturb the robin's nest; and my readers will, I am sure, be glad to hear that the robin and its young ones returned in safety to Walton Heath, being the place from whence they had set out. Whether it was the male or the female robin which kept with the wagon, I have not been able to ascertain, but most probably the latter, as what will not a mother's love and a mother's tenderness induce her to perform? The distance the wagon went in going and returning could not have been less than one hundred miles."

Northern Michigan Birding